Although its been bubbling since the mid 00s and has a lineage that throws back through juke and ghetto house, the Chicago sound of footwork broke in 2010 when Planet Mu dropped the Bangs & Works compilation, introducing 160bpm freneticism to an audience outside of the Windy Citys dance battles and smoked-out home studios. If Daft Punk are anything to go by, then its evident that clubland has always shown a fondness towards Parisian pairs and Justice became Guy Manuel and Thomas Bangalter for the millenial generation. 1.505.566.5827 sjci@sjci.org Monday Friday 8 AM - 5 PM. In 1998 a tidal wave of Dutch laser-kissed trance, pre-donk hoover-bassed hard house and the Champagne-breathed swagger of late-90s speed garage were washing through clubs, bars, airwaves and holiday resorts. Patrick Hinton. The whole thing is all killer, no filler, even when tracks extend to ten and eleven minutes: this is essentially George Clinton's p-funk mob at the height of their powers Bootsy Collins basslines swinging and swaggering through the 10-dimensional afrofuturist cartoon vision, every part of the band including massed vocalists and brass locked in with inhuman precision. Its hardly an exaggeration to say Dusseldorf four-piece Kraftwerk laid down the blueprint for all that followed. 1999s Surrender might stand up as the better and less dated album today (the development of production techniques in electronic music moved fast in the 90s), but this album laid the foundation for a thousand dance music festival headline sets. Taking into account the star status of those two artists, Dizzee Rascal deserves some thanks for an album being mentioned in tracks for over 10 years. They knew that techno was as much about subtlety as rowdy impact and, fuelled by an obsession with the most far-out ad hoc techniques of Jamaica's dub originators, they set about remaking the machine beats as an immersive bath of sound. But with such a strong history of dance before it, from the Studio 54 to the Paradise Garage to the club kids, it was inevitable these influences would filter in, and like the Talking Heads and Blondie before them, bands like LCD Soundsystem and The Rapture kick started a dance-punk movement for a new generation. Ive witnessed adults weep and smile in equal measures in club spaces having heard just a few seconds of an Untrue track, watching on as waves of nostalgia and emotions connect dancers through a shared experience with Burials music. In particular, Summer helped pioneer the use of electronic sequencers and electronic drums in dance music. However, with Sheet One he proved techno could go long form, move away from pure dancefloor, while retaining a stark clubland authenticity. Heads will side-eye the classic house and garage motifs on Settle but the album represents the peak of the UK house explosion that started with Battle For Middle You in 2011 and ended with House Every Weekend in 2015. It has very often been described as a cold and mechanical album by listeners but there are hints of warmth in the stretches of analogue synths that unfold under the icy surface. But there's so much more to the album than this sinuous, sexy disco cut. Double Cup is Rashads masterpiece. Dance music is about hitting ecstatic headspaces in the feverish pits of dancefloors, certainly, but its also about what comes after. Brian Eno would codify ambient some years later, but this was it created from pure instinct: closer to what the teenage Aphex Twin would do at the start of the 90s than anything of its time. On the face of it, it was a nod to the dance music world that had come before them but it would go on to write dance music's future. Android. Seb Wheeler. Mention German techno in the early 1990s, and you likely thought of furious Cologne acid, the metallic pound of Tresor, and general Schnell! In 1993 he was not the Teutonic, flick-haired Ibiza-storming giant of today. With Debut, Bjrk made an album that not only celebrated house music but also asked artists to demand more to life than this. His legacy can be found all over, from the label Audika Records set-up solely to release his catalogue of experiments to the spate of club nights and music projects named after his output (such as Lucky Cloud, Kiss Me Again, Wild Combination, Let's Go Swimming and Jame Blakess 1-800-Dinosaur outfit) to an endless list of artists sampling his music, including Kanye West for The Life Of Pablo cut 30 Hours. You cant talk about techno pre-1995 without talking about (at length) Robert Hood. When listening to the airy bliss of Mays It Is What It Is or anthemic euphoria and bouncy beats of Saundersons Big Fun, its clear that the sounds featured on that groundbreaking comp are more soulful than the unrelenting darkness of techno you might hear in, say, a Berlin club today. Best of all? WebThere are unlimited ways to filter charts: You can make a personalized chart based on any combination of genres, descriptors, countries, languages and more. Alex Paterson and co built upon the blueprints set out by Brian Eno and pushed ambient into a more dance-indebted framework, imbuing the sounds with druggy, sci-fi narratives, house and techno beats, and reggae influence, forming a visionary new type of intergalactic dub on tracks like Perpetual Dawn. On Limit To Your Love, James strips the folksy love ballad down to raw piano and vocals, adding a car shaking, single-note sub-bass. We understand the indispensability of having a fairly groovy playlist so all your party pals could rock the dance floor (while blowing out some kisses to you out of gratitude). Dave Turner. In 1997, that analog rawness spawned Silent Introduction, a collection of tracks handpicked by Carl Craig for his Planet E imprint and blended together in signature Moodymann style. Lucky Cloud underpinned weird, high-pitched squeaks with bold, driving bass notes long before minimal rose to prominence; Hiding Your Present From You throbs with experimental club flair, as stunted outer textures cut through from off-kilter swells. Pink Floyd The Dark Side of the Moon. Thats not to say other artists at the time didnt have a similar focus, but one listen to MAWs debut album aptly titled The Album and its clear Louie Vega and Kenny Dope wanted to explore it all. We've experienced not only a wealth of incredible electronic music over the last 40 years or so, we've seen it spur on cultural movements and define the lives of generations. Simple? Seb Wheeler. The world is full nowadays of drones, dreamscapes and beatless sound sculptures but whatever they may present themselves as, chances are they've got a little of this in them. "My name is Raskit, listen to my slang," Dizzee directs us on 'Cut 'Em Off'. And arriving soon after the Second Summer of Love, in a time where dance music was still viewed with an air of contempt by Serious Music Fans dismissing it as craze without staying power, Frequencies vindicated dance music as an album compatible art form, laying the groundwork for Warps rise to legendary status and the game-changing experiments from the likes of Aphex Twin, Autechre and Boards of Canada that followed. Today, the legacy of Untrue remains as bold and brilliant as ever. For those in their early teens, it was a road map for all that was to come. But not just a collection of unevenly stitched together bangers, its a proper headphone-rewarding and coherent long player, exhibiting technical prowess that led to Bjrk and Depeche Mode recruiting Mark Bell to work on Homogenic and Exciter respectively. Its also important to note how other artists view Arca as a producer and persona. Their approach is resolutely minimal, stripping things back to the essentials (fat basslines, taught percussion, angular melody and repetitive vocal chants) to create a highly-charged sound thats way more than the sum of its parts. Tracks like Anoche and Desafio are highlights but as a complete body of work, its undeniably hard-hitting. Moon Safari set the template for this electronically soothing sound of Sundays that would pave the way for Groove Armada, Royksopp, Lemon Jelly, Silicone Soul, Zero 7 and Sia. And this LP will forever be an insight into what it was like when it was just a well-kept secret. Dig Your Own Hole is a heady and maximalist cocktail of chunky beats, funk, acid house, psychedelia and hip hop that spawned two number one singles (The Noel Gallagher featuring Setting Sun and Block Rockin Beats) and placed them alongside some of the biggest acts in the world. Patrick Hinton. Scale becomes confused, you float off into the sound, and time ceases to exist. His debut album 'Amnesia' sums this up best. Certainly you can hear its blips and shimmying all the way through Broadcast, Boards of Canada, Stereolab, and even Flying Lotus and Madlib and its giddy dreams of the future are still highly playable in their own right. In fact, its a big middle finger to establishment. On Blue Lines, the collective which formed out of the ashes of Bristols Wild Bunch soundsystem plowed formative influences like soul, dub reggae, the film scores of Enio Morricone and punk rock spirit to create a heady brew that acted as an intrinsically British (and more specifically Bristolian) counterpoint to US hip hop. I hope you like. This list of essential Electronic music records is a great starting point for someone wanting to get into Electronic vinyl records. SoundCloud uploads are tagged; producers take to Twitter to refute the labels given to them by fans or journalists; scenes are defined and dissected while still in their embryonic stages. But when Skreams landmark debut album dropped in 2006, people were genuinely asking What the fuck is dubstep? and wondering where this strange new sound was coming from. As house began to flourish during the early 90s, with many producers focusing on jacking rhythms that took over clubland, the NYC duo Masters At Work were able to stand out by showcasing a distinct contrast of musicality. In 1990 a fledgling Sheffield-based label named Warp Records released a debut EP from a pair of Leeds Uni students called Mark Bell and Gez Varley, working together under the moniker LFO. Aurora Mitchell. Kanye West used Arca at length for songwriting and programming on Yeezus, there are regular collaborations with Bjork and since the release of Arca she worked with Arca again on her Utopia album. When two brothers from rural Scotland released an album that twirls through mystic ambient, robotic vocal samples and lightly bobbing IDM in 1998, it changed dance music forever. Its hard to imagine those three words used to describe one body of work but then again its hard to describe Arca. There's more to life than this sings Bjrk part-way through her debut solo record, from the toilets of Nicky Holloways Milk Bar nightclub. It was an overwhelming period of extremes and excess; vodka Red Bull was outselling lager, DJs were becoming mega-rich superstars and Mitsubishi pills were making clubland intensely emotional. Yet in between this there's the serene '124' and suave, Pink Panther-esque title track proving jungle artists aren't only inclined to make tunes for a grotty dance. The Orbs WhoSampled.com entry is an absolute treasure trove of intriguing references, from Russian radio hosts discussing fish on Spanish Castles In Space to the more easily picked out Minnie Riperton vocals in A Huge Ever Growing Pulsating Brain That Rules From The Centre of the Ultraworld a track which became the most requested Peel Session ever following The Orbs 1989 performance. Schnell! madness all fuelled by the Communist-era amphetamine factories of the East. They, alongside peers Liquid Liquid and Bush Tetras, were the first to take up instruments to create a new interpretation of dance music for which all indie-disco kids, past and present, must give thanks. Indie bands like The Strokes and The Yeah Yeah Yeahs made the city cool for music hipsters again. Thom Yorke, Anohni, Seth Troxler and Bjork. Where grime music thrived in the dance, road rap really did live on the roads, in tinted cars and in barber shops. There were pure synthesiser records before this, from both academic composers and underground heads, but this was the one that perfectly captured that sense of music that takes you back to the womb. He was able to strip what he learnt back to its essence on cuts such as Helikopter and Glob, but was just as at happy pushing off into the stratosphere on zonked tracks such as the delicious Koma and stunning Gak. More to life than this but then again its hard to imagine those three words to. 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